Ms Moira Espinosa
Cyhoeddiadau
2024
- Cyhoeddwyd
 Espinosa, M., Ebr 2024, echo ECHO echo. ºÚÁϲ»´òìÈ
 Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod
2023
- Cyhoeddwyd
 Espinosa, M., Mai 2023, ºÚÁϲ»´òìÈ.
 Allbwn ymchwil: Llyfr/Adroddiad › Blodeugerdd
- Cyhoeddwyd
 Espinosa, M., 4 Mai 2023, Annwn Press. 120 t.
 Allbwn ymchwil: Llyfr/Adroddiad › Blodeugerdd
- Cyhoeddwyd
 Espinosa, M., 22 Maw 2023.
 Allbwn ymchwil: Cyfraniad at gynhadledd › Arall
Gweithgareddau
2025
- Since the 1960’s in the Western world, feminist theory has become increasingly mainstream, and challenged gender - roles. Feminist values continually question the traditionally patriarchal mentality, and thus dating between - heterosexual couples has changed, as well as how they are depicted in romance novels. In the romance novel genre, - casual violence from men has been a long-standing trope, with the colloquial term ‘bodice ripper’ coming from how - commonly the male protagonist physically tore the female protagonists’ top off their body. In the past decade, a more - absurdist trope has emerged: the male protagonist is anything other than a man, ranging from being a honey badger, a - billionaire minotaur who donates sperm, a seven-foot-tall blue alien, or even a door. There is an abundance of - contemporary romance novels centred around a woman and various creatures or objects who still exhibit - hypermasculine characteristics, including casual violence. How does this trend speak to the dating world of today? - Why are authors writing romances between women and anything besides a man, while giving the ‘not man’ - hypermasculine characteristics? My creative work explores the genre’s boundaries by questioning the acceptable - amount of hypermasculinity women would accept from a male partner, and how, if at all, men are socialised to be - violent as a demonstration of love. - 2 Ebr 2025 Gweithgaredd: Cyflwyniad llafar (Siaradwr)
2023
- 22 Maw 2023 Gweithgaredd: Cyflwyniad llafar (Siaradwr)